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Outdoors, Nowhere, in Nothing

Curated by Harrison Brammell

July 13 – August 18, 2023

John Joseph Mitchell (b. 1989)

John Joseph Mitchell (b. 1989)
Winter Morning Coffee, 2023
Oil on wood panel with artist frame
16.5 x 10.75 inches
 

Thiago Hattnher (b. 1990)

Thiago Hattnher (b. 1990)
Untitled, 2023
Oil on board
7.75 x 9 inches

Kate Wallace (b. 1990)

Kate Wallace (b. 1990)
A Picture of Leaves, 2023
Oil on panel
7 x 5 inches

Thiago Hattnher (b. 1990)

Thiago Hattnher (b. 1990)
Untitled, 2023
Oil on canvas
11 x 9 inches

John Joseph Mitchell (b. 1989)

John Joseph Mitchell (b. 1989)
Ducks Flying Over a House, 2023
Oil on wood panel with artist frame
14.75 x 8.25 inches

Kate Wallace Mines #2, 2023

Kate Wallace
Mines #2, 2023
Oil on panel
6 x 4 inches

TJ Rinoski Forgiveness #2, 2023

TJ Rinoski
Forgiveness #2, 2023
Oil on canvas
12 x 9 inches

Nicholas Bierk Ash Boughs, 2023

Nicholas Bierk
Ash Boughs, 2023
Oil on linen
8 x 10 inches

Leonard Baby The Reminder, 2023

Leonard Baby
The Reminder, 2023
Oil on board in artists frame
12.5 x 9.5 inches

Charis Ammon Quartered, 2023

Charis Ammon
Quartered, 2023
Oil on canvas over panel
5 x 7 inches

Outdoors, Nowhere, in Nothing
July 13 - August 18, 2023

Curated by Harrison Brammell

When book designer Mark Holborn asked William Eggleston, “But what have you been taking pictures of?” the renowned photographer replied, “I’ve been outdoors, nowhere, in nothing.”

Andrew Edlin Gallery is pleased to present a group of small-scale works by eight contemporary painters: Charis Ammon, Thiago Hattnher, Leonard Baby, Jennifer J. Lee, TJ Rinoski, Nicholas Bierk, John Joseph Mitchell, and Kate Wallace. Their imagery evokes the essence of Eggleston’s picture-making as described by curator John Szarkowski (1925-2007) in his foreword to the catalogue that accompanied MoMA’s 1976 exhibition, William Eggleston’s Guide:

 “A picture is, after all only a picture, a concrete kind of fiction, not to be admitted as hard evidence or as the quantifiable data of social scientists. As pictures, however, these seem to me perfect: irreducible surrogates for the experience they pretend to record, visual analogues for the quality of one life, collectively a paradigm of a private view, a view one would have thought ineffable, described here with clarity, fullness, and elegance."

Charis Ammon is represented by Alexander DiJulio, New York and Inman Gallery, Houston.

Nicholas Bierk is represented by Pangée, Montreal.

Jennifer J. Lee is represented by Klaus von Nichtssagend Gallery, New York and The Sunday Painter, London.

John Joseph Mitchell is represented by Philip Martin Gallery, Los Angeles.

Kate Wallace is represented by LON Gallery, Melbourne.

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